Re-Entry was created using a wet-on-wet painting technique, allowing the image to emerge through movement, atmosphere, and response rather than rigid planning. The work captures a moment of return. Something ancient and weathered moves through a luminous field, carrying the marks of a long journey. Gold surfaces break through darker structures as the form drifts between revelation and disappearance, suspended in a state of motion. Re-Entry is a reflection on passage, resilien

Another work-in-progress emerging from the growing body of paintings for Playing Chicken With God. This piece feels less like an image and more like an apparition — something half-forming, half-dissolving. A violet flame suspended in blackness. A shape caught between presence and disappearance. What interests me right now is not clean symbolism, but instability. The moment where something sacred begins to reveal itself before the mind can fully categorize it. I’ve been pushin

There’s something important about allowing people to witness fragments before they witness the whole. These works are not finished pieces. They are signals. Residue. Early transmissions from a body of work still in the process of revealing itself. At this point, I’m roughly 50 paintings deep into the development of Playing Chicken With God, and the visual language continues to evolve through repetition, erosion, layering, and return. Symbols emerge before they are understood.